Bo Diddley & Chuck Berry: The two great Kings.
The greatest guitarists in the world are not among us. Bo Diddley passed away on June 2 of 2008 at 79-years-old and Chuck Berry recently on 18 March of this year at 90-years-old. However, their legacy remains forever influencing, directly and indirectly, every musician's generation worldwide.
The Bo's first song called… himself (that open his debut album), he expresses so much more than third person verses. The guitar distortion (known as Bo Diddley beat), the African and Latin Music influences started a new Rock and Roll way. Blues is the Rock's father and it's because of Bo Diddley: The man who never judge a book by the cover.
Like his friend, the “School of Blues” graduated Chuck Berry was a real showman. Powerful and crazy riffs translated by his remarkable dances on the stage, rocking and rolling literally, impacted the whole 60s generation guitarists. “Maybellene”, “School Days”, “No Particular Place To Go”, it's hard to choose just one. But I can conclude that Mr. Berry live was guaranteed fun. There is no way you are gonna stay quiet or sad watching that man rolling over (Beethoven).
During the 70s and 90s, Berry and Diddley used to share the same stage together, presenting to the world the real taste of Rock And Roll. However, the partnership began in March of 1964 when the Checker Records (Chess Records subsidiary that Berry and Diddley worked for) called them to record a session “Two Great Guitars”, released later in August. The result was four instrumental tracks (which three was composed by themselves) in 30 minutes total length (42 minutes including four bonus track).
The opening song called “Liverpool Drive” I'm sure that it was a reference to the sound of the moment: The Beatles and the whole British Invasion. The true Berry's genuine sound that will guide you driving through the Liverpool streets.
“When The Saints Go Marching In”, meanwhile, it's a cover that Bo Diddley arranged to bring your style. Of many covers recorded by many different artists, in my opinion, Ellas McDaniel rocks. Definitely the number one.
“Fireball”, “Star Sharp”, “Chuckwalk” and “Stinkey” complement the LP. Both shared your own styles. I've liked the environment supported by bass, drums, and piano.
Finally, the two songs that gave album’s identity: “Chuck’s Beat” and “Bo’s Beat”. The jam involving 10 and 14 minutes, respectively, exhibit plenty of experimental riffs, including piano solo and again the great bass, drums, and maracas performance. Delightful experience.
Great masterpiece. Available on Spotify.
